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Brosnahan’s style was “cheeky yet tasteful,” as Cosmopolitan set it back in 2005. With individual mold symbols like Katharine Hepburn, Jackie O., and Björk, she acknowledged female packs with a perky touch. She wasn’t occupied with the solid works of art from Chanel and Prada, nor the staid dark colored and dark cowhide alternatives from Coach and Longchamp. Truth be told, for a long time, her pack of decision was labelless and wicker. Maybe it was her Midwestern roots, yet the Kansas City local favored frill that were both straightforward and fun.
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Fearless by her absence of configuration encounter — and with the support of her beau Andy Spade, a promoting innovative executive she had met at Arizona State University — the then-30-year-old Brosnahan got the opportunity to work with paper and Scotch tape, conceptualizing what in her brain would be the ideal tote. Something “immortal” and “more individual, less genuine,” she told the Boston Globe in 1999; a sack that could “expect the identity of the wearer, not the switch.”